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Dr Albert Edgar is not only a very fine wedding photographer, he is also one of the great geniuses in imaging science He holds innumerable patents (200 and counting!) and was the scientist behind Digital Ice (the scanning firmware for removing scratches from film emulsion), Digital ROC (the Photoshop plug-in for the recovery of color in faded photos), Digital GEM (a utility for taming film emulsion grain patterns in scanning), and many other impressive innovations in our industry Applied Science Fiction was the appropriate name of his company, until it was purchased by Kodak in 2004 (wwwasfcom) Not surprisingly, Dr Al is one of our favorite experts on photography and imaging When we asked him how he handles his RAW files (assuming, because he is quite a perfectionist, that he would use RAW for all his photography), he surprised us by revealing that he always uses JPEG.

I don t use RAW, Dr Al explains I m not a rich guy and can t afford all the chips and poststorage with 4,000 images per wedding And I am really concerned about the archivability of RAW files; some of the new encryption battles are going to ensure that RAW files can not be practically read 25 years from now However, he predicts, There is so much of the world stored on JPEG, there should be legacy JPEG decoders around for centuries Now, the fact is that Dr Al is incredibly savvy about processing images probably the most knowledgeable person we know on the subject He plays with the underlying code of digital photographs the way we might click through the TV remote control So, he is able to pull a lot of detail from a JPEG image that would be hidden from the rest of us.

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(His Digital SHO Photoshop plug-in gives us some of that control, enabling us to retrieve a high degree of details from shadows and highlights, even in JPEGs Try the trial version download It can deliver impressive results) Still, he is correct about one thing high-quality (low-compression) JPEG can be indistinguishable from TIFF or RAW in many circumstances Look at the three figures in this sidebar and before reading the caption, try to determine what format we used to shoot each RAW, JPEG, or TIFF Stereo experts have told us that only a tiny percentage of people (something like 1 percent) can tell the difference in the quality of the sound between a $500 and a $50,000 stereo system The same can be said about image quality.

While we are all for precision and excellence in photography, be sure that the time you are devoting to that extra bit of quality is something that is perceptible and will affect the overall visual value of your image..

M. Varanasi and B. Aazhang, Multistage detection in asynchronous code-division multiple-access communications, IEEE Transactions on Communications, vol. 38, pp. 509-519, April 1990. M. Varanasi, Group detection for synchronous Gaussian code-division multiple-access channels, IEEE Transactions on Information Theory, vol. 41, pp, 1083-1096, July 1995. M. Varanasi, Parallel group detection for synchronous CDMA communication over frequency-selective Rayleigh fading channels, IEEE Transactions on Information Theory, vol. 42, pp. I 16128, January 1996. Y. Yoon, R. Kohno, and H. Imai, A SSMA system with cochannel interference cancellation with multipath fading channels, IEEE Journal on Selected Areas in Communications, vol. 1 I , pp. 1067-1075, September 1993.

When the Pen tool is selected, several useful options are available in the tool options menu bar, shown in Figure 17.9. The Pen tool options allow you to toggle among Pen, Freeform Pen, and Shape tools; toggle among the Shape, Path, and Fill modes; and define how the path area is generated.

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