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Dan Ingalls Seibel: This was in Smalltalk, I assume Did you have a symbolic debugger that you could use, or were you looking at hex dumps of memory Ingalls: This was lower level than the nice Smalltalk debugger I really can t tell you the details of this one, but the kind of thing is you get an error somewhere, which would actually take you to the low-level debuggers So you re looking at memory like a bunch of octal locations Then you find things like one object pointing into another object in the way it shouldn t So you re trying to think of, How could that happen You have all these little clues and little patterns of this can cause that, this can cause that, and so then you try to figure them out Seibel: So that was at a very low level.

Figure 5-6. The Line and various shape tools produce steadier results than the freehand Pencil tool. One of the current limitations of KToon is that it s difficult to see what you re drawing. The line or shape isn t visible while the mouse button is held down only when you release it, which means you have to feel your way around the canvas. If you make a mistake that Edit Undo can t fix, you can use the Selection tool to click and drag the mouse pointer around an object. The selection is highlighted with small blue squares in its corners. You can then press Ctrl+X, the usual keyboard shortcut for Cut, or the Delete key. When you have a first drawing that you re happy with, click the middle icon of the three arranged vertically on the far right side of the main KToon window. Doing so opens the Exposure Sheet dialog, which provides an overview of the individual frames in the project (see Figure 5-7). Right-click your first image, which is labeled Drawing 1 by default, and select Clone this Frame. A pop-up window asks how many cloned frames you require; 23 clones, to create a total of one second in your movie, may be a good number to start with. All 24 frames are labeled Drawing 1 in the Exposure Sheet dialog, but you can rename each frame by double-clicking its name. Any changes you make to the original drawing are automatically applied to all of its clones.

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Once you receive your PIN message, you will see that it is highlighted in red text in your Inbox. To reply to a PIN message, click the Trackpad to open it, and then click the Trackpad again and select Reply, just as you do with e-mail and other types of messages.

When you re developing in the nice Smalltalk environment, I assume you use symbolic debuggers Do you ever resort to print statements Ingalls: I don t know of anybody who does that if they have the choice of using a good debugger Because where do you put the print statement You put it there Well, wouldn t you just like to be there, looking at everything, instead of just printing it Now I do a fair amount of print statement style debugging because it s often the case I don t have a good enough JavaScript debugger Seibel: What made the Smalltalk debugger so nice Ingalls: Well, you could stop anywhere in the program and you could actually look at all the bindings of all the variables You could execute fragments, evaluate expressions right in the middle of the context.

Once you receive an e-mail containing a PIN number from a colleague or family member, then you should put this PIN number into your Contact list. If you do not already have this person in your Contact list, follow these steps (see Figure 19-1): 1. 2. Highlight the PIN number and press the Menu key to select the Add to Contacts option. Enter this new contact s name, phone number, e-mail address, and other information.

Figure 5-7. The Exposure Sheet dialog lists all the frames that make up the animation project. Of course, if all the frames are identical clones, there isn t much going on in the animation. In the Exposure Sheet dialog, right-click the name of one of the frames you ve already created, and select Copy this Frame. If you click in one of the empty frame spaces below, a new frame is created automatically. Right-click its name, and select Paste into this Frame. Unlike when cloning, you can modify this new frame without affecting the clone frames you made earlier. After you ve added a few different frames to the Exposure Sheet, click the Animation tab at the top of the main KToon window. The Render Camera Preview opens, which has Rewind, Play, Stop, and Fast Forward buttons. Click the Play button for a first look at your animation (see Figure 5-8).

Seibel: At any particular point in the stack frame Ingalls: Yep, and you could make significant changes and then proceed And you could get to an error, have it on the screen, save the entire state of the system, ship it to somebody else who was on a Windows machine and not a Mac, and they could fire up that same image, be where you were, make a fix, and proceed So just complete preservation of state across different machine representations..

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